Using relational cultural theory, how can we discuss connection and communication?
The relational-cultural model encourages growth toward connection and relationship instead of independence and isolation. I think the experience of many people living in the US is that of rejection and isolation. Prejudices prevent many of us from developing true connections with others. The sense of home comes from feeling a relationship or connection to those around you.
How do our multiple identities inform our work?
By reconnecting with our roots, we can also begin to understand where we fit in. As Fairbairn states, “it is only in its relationship to these objects that its true nature is displayed.”
I feel that because the US is thought of as a country of immigrants, where your family is from has become important. Growing up without any strong traditions or solid roots in my heritage, I felt this sense of shame, that I didn’t know where I was from. My family came from so many different countries, that I didn’t have one to claim. Only now am I realizing that even when one does know where they are from, they can still feel as lost as I did.
How do you want the viewer to experience your work?
I especially liked the part of the reading that says, “a ‘boundary’ could be conceived as a place of meeting and exchange with the surrounding milieu rather than as a place of protection from it.” I would like viewers to experience my work as this type of boundary. Although the noren are particular to Japan, they can be interpreted as a universal sign of a boundary or a passage from one place to another.
