Wonder Women NOTES\u00a0 — 24 JANUARY 2010<\/p>\n
IDEA OF CONNECTEDNESS : ASSIMILATION
\ntransformation as a process. recreation. ideas of intention. sense of purpose.
\ngenerating work. healing. implementing ideas, bringing the experience.
\nmarrying spaces. continuity and space. technology bridge.
\naffection of the space.
\nrescuing. globalization. colonization.<\/p>\n
How will viewer experience your experience? Our responsiveness to growth? How can we discuss communication dictate the experience? Consider transformation as a process.<\/p>\n
Relational Cultural Theory
\nFeminists developed a community who\u2019s core is empathy and connectedness. Not to create independent selves but to develop a sense of communication through art. Ideas of negation also create a sense of community.<\/p>\n
ALIEN
\nmultiple identities the shape your work<\/p>\n
GROUP B: (ten min session)<\/p>\n
Pam – hour video blog each day throughout residence. formulated discussions on duality and understanding.
\nDiary is the installation. Calendar of days 3 -5 minutes of dialog. Thing a day. Pam\u2019s History Month.
\nref. Nina Khachaturian – artist who adopts her parents accent on video.<\/p>\n
Roxana – pin hole camera. will run a tutorial on how to make this camera with a polaroid back.<\/p>\n
Sonali – complete purchase lists. videos on content and affect. technology marrying Indian culture.
\ntiny solar panels sewn on fabric to light an LED. Prototype sketch.
\nref. Anthony Dunn (Royal Academy in London) conceptual and complex theories translated through image<\/p>\n
Lizzy –\u00a0 ordinary shots of everyday jobs. start with ironing. Lizzy set up the process for the portrait with her mom during the domestic process.
\nref. Willie Cole, uses iron as a medium<\/p>\n
Willa – display traditionally over a doorway. Noren hang alongside lanterns that guide the passage for the ghosts.
\none color silk screen. reminiscent of the Japanese flag.<\/p>\n
GROUP A:<\/p>\n
Holly – Baking a huge salt piece, strain water to form a shape. add food coloring to show water damage.
\ncontrolling the pour, what does the water represent? what does the pour represent?
\ncontribution to change. interactive installation.
\ndiluted family life. composition. tackle scale to control drip.
\ntransformation from structural to organic. starting with an obvious shape that leads to a type of erosion.
\nref. Orozco – ceramic shapes.<\/p>\n
Giana – focus is happiness and the medium is water. essential to the economy, the Panama Canal.
\nAgua de Carnaval, Energy Drink – Krrnaval – branding a culture (Panama) through packaging.
\ncreating a truth where there is no truth.
\n-bottle. label. content.<\/p>\n
Agnes – bridging mom\u2019s aesthetic with her own. geometric vs organic. meaning.<\/p>\n
Anjelika – draping sari as western clothes. corset. t-shirt.
\ndeconstructing the sari down to the jean and tshirt look. hybrid.
\nwhy is it okay to show the belly?
\nref. Megan Nicolau, published book about 500 ways to make a tshirt. 2009 imitation of louis vuitton.<\/p>\n","protected":false},"excerpt":{"rendered":"
Wonder Women NOTES\u00a0 — 24 JANUARY 2010 IDEA OF CONNECTEDNESS : ASSIMILATION transformation as a process. recreation. ideas of intention. sense of purpose. generating work. healing. implementing ideas, bringing the experience. marrying spaces. continuity and space. technology bridge. affection of … Continue reading